Posts are written by bloggers who are members of various organizations including Democratic Socialists of America, Freedom Road Socialist Organization, Willamette Reds, and others in Oregon.
Saturday, June 10, 2017
Silvia Federici:"But in order to translate our pains and pleasures into a page or a song or a drawing we must have a sense of power, enough to believe that our words will be heard."
"I am interested in building a society in which creativity is a mass condition and not a gift reserved to the happy few, even if half of them are women. Our story at present is that of thousands of women who are agonizing over the book, the painting or the music they can never finish, or cannot even begin, because they have neither the time nor money. We must also broaden our conception of what it means to be creative. At its best, one of the most creative activities is being involved in a struggle with other people, breaking out of our isolation, seeing our relations with others change, discovering new dimensions in our lives. I will never forget the first time I found myself in a room with 500 other women, on New Year’s Eve 1970, watching a feminist theatre group: it was a leap in consciousness few books had ever produced. In the women’s movement this was a mass experience. Women who had been unable to say a word in public would learn to give speeches, others who were convinced they had no artistic skills would make songs, design banners and posters. It was a powerful collective experience. Overcoming our sense of powerlessness is indispensable for creative work. It is a truism that you cannot produce anything worthwhile unless you speak to what matters in your life. Bertolt Brecht said that what is produced in boredom can only generate boredom and he was right. But in order to translate our pains and pleasures into a page or a song or a drawing we must have a sense of power, enough to believe that our words will be heard."---Silvia Federici, author of Revolution at Point Zero: Housework, Reproduction, and Feminist Struggle.
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